learning
explorations in a life generating design process
As a part of the Nature of Order seminar from the Building Beauty Program I was required to document a design process. On the this page you will find the unfolding design process of an outdoor table and bench. As well as that I have included how i made decisions through thinking, feeling, sensing and intuiting. In this post I have outlined the steps in which they were generated, as well as overlaid key reflections and insights from my learning journey within the Nature of Order module.
1. What to Design? finding a need that will improve our lives
There was a clear need for an outdoor table and bench to support our culture of dining together. We often take the kitchen table outside to eat on, however, due to it being a long rectangle it feels awkward sitting around it.
2. Finding a space for the table Seeking latent centers
Feeling the site for a latent center that would support and allow for the latent function of culture to emerge. A ‘latent’ center is a center that has the promise of life and has the potential to become a living center through design intervention. Creating interventions in latent centers is a way to leverage and then reinforce the existing strong centers in a place.
“The proper unfolding of wholeness is both an unfolding of space form the culture which exists, and an unfolding of a new (future) culture from the culture of the present (Christopher Alexander, Process of Creating Life, pg.348)”
3. Prototyping the dining experience with kitchen table and chairs Getting feedback from other users
Reflections
The strange proportions of the table and chair left me feeling disjointed to those around me.
– there was a significant discomfort in the layout
– the table as a center made up of centers that emerge to allow it to function as a ‘table’ were missing
– weird dimensions and layout meant when we were sitting we were not equidistant from each other which lead to a sense of separation from certain people at the table
– there was no center for the food to be left on the table
– it was hard to reach across the table from the ends
– the table without its inhabitants in the space felt like it didnt belong due to its strange dimensions and decoration
– the feeling of slight ‘unease’ caused by this lack of feeling whole does not support the culture of relaxed and comfortable daily outdoor dining
The Body as an Instrument
- Acknowledging the entire being as a center, a whole within a larger whole, with the ability to play a role in the unfolding beauty around us
- Our ability to be aware of the whole within us and around us depends on what faculties of perception we utilise
- Modern society and capitalism rewards thinking faculties over others and in doing so through our conditioning we experience the world in a certain way
- In seeking a more holistic perception and relation to the world, we are able to recognize the unfolding whole and work with unfolding living processes to create more life and beauty around us
4. Observing further centers and patterns on site observing life in the field of centers
1. Sun, wind and shelter
2. Aspect – to the horizon from the table
3. Prospect – how the table would increase the feeling of life in the views towards the horizon and towards the forest and path
4. Existing bench filling the latent center of a place to enjoy the view
5. Other existing and potential uses and pathways through the site
5.Sketching Ideas based on key principles outlined before
1. sketching design that use materials that are readily available – locally sourced eucalyptus and bamboo
2. Exploring ideas quite broadly but starting to pay attention to how it can be simply built taking into account the available resources of time and skill
3. Designing finer details – and seeing how they inform the feeling of the whole
4. Diving into the ideas of recursion and keeping a sense of feeling the whole is within the parts
6. Designing the bench to be a recursive part of the table so that the feeling of the whole is within all the parts
7. Making a quick model To get a sense of its feeling
8. Measuring tables and chairs to get a feeling for comfortable ergonomics and reflecting on their feeling
9. Making a small bench to test simple construction method Getting feedback through the hands from the materials and techniques
I started to make a small meditation stool to test the construction methods which I kept as simple as possible. The legs would connect to each other through a half-lapped stabilizing bar which then would fit into a housed joint.
Due to the nature of these joints, it became obvious that the timber would need to be dried, as the green eucalyptus cracked and twisted very quickly.
maintenance and renewal
“The simple fact of the matter is that once you build something, it deteriorates. We start this idea with the awareness of time, as the major deciding factor in how the object is going to age.”
Generally speaking nowadays from the time something is built it only begins to look worse. How can we design things so that their graceful aging works to enhance the living structure that they are a part of?
How can we utilise time as center through intuiting and sensing the emerging future and how can this enhance the field of centers and the sense of place?
In using locally sourced eucalyptus, it is hoped that the table would naturally silver and patina through time, an object that becomes deeply embedded in place and local culture.
10. Using Phi to find harmonious relationships between the height, width and depth of the table
After measuring all the tables and chairs in the house and finding a range of good feeling, comfortable ergonomics, I then applied phi to these heights to find harmonious ratios between the tables and chairs.
11. Mocking up table and bench sizes testing 1:1 on site
- using the body as a measuring instrument to cultivate a deep feeling towards the experience of a sense of aliveness in real time – and iteratively making adjustments to the field of centers whilst discerning what brings more life to the whole.
- moving beyond idiosyncratic, little self preferences and moving towards the experience of the whole as the whole – through being a center myself within the larger whole.
12. Settling on a size that has a good feeling through observation and interaction
- walking around the table to develop a sense of its feeling within the space.
- sitting to get a good feeling of the size and connection to other centers.
- mocking up with plates.
- insight: when it was comfortable for 8 it was uncomfortably large when there were less people. Therefore we realised that we want it to be comfortable for 6 80% of the time and 8 for 20% of the time. When the table was big to fit eight comfortably, it felt too big when there were less people using it which had a disharmonious effect and weakened the table as a center.
“The living process can therefore be steered, kept on course towards the authentic whole, when the builder consistently uses the emerging feeling of the whole as the origin of his insight, as the guiding light at the end of the tunnel by which he steers (Christopher Alexander, Process of Creating Life, pg.371)”
13. observing the larger field of centers seeing how the mockup interacts with the larger whole
14. mocking up table legs using cardboard in search of good shape
- Through working iteratively adding and subtracting cardboard based on intuitive and felt decisions interacting with the direct feedback loop of feeling, it was possible to quickly work towards a shape that was enlivening within the larger field of centers.
- Using simplicity – what is the simplest next step in the process that can increase life in the existing centers?
- I noticed that each step in the process unfolded with symmetry.
15. applying phi to the design of the legs refining previous with 1:1 paper mockups
- I applied the ratio of phi to key dimensions based on the best version of the previous step in the process.
- In making simple modifications in each step of this process I was able to do A/B testing for which designs were more coherent in relation to the rest of the design.
16. Using digital modelling to calculate cutting lists with caution to not design with sketchup
Generated vs Fabricated structure
in a fabricated process and the resulting structure, we project ideas and concepts outward from our minds into objects in reality. oftentimes these projections come from our conditioned ideas and include an attachment toward them from our ego. In a deeply felt generative structure we design from a place beyond ego, a place that is connected to the universal Self. In designing from a state of presence that utilises our feeling, sensing and intuitive faculties, we are able to design from a place that is beyond our idiosyncratic likes and dislikes and create beauty as an extension to the larger beauty to which we all belong. In a generative process, we embody presence in each design step and naturally allow beauty to unfold.
17. Recursive design of bench legs applying unfolding sequence of table legs to the benches
In applying the exact unfolding pattern sequence of the table chairs to the bench chairs, I found it didnt look good and that some modification would be required to get a good feeling. In using paper to mock up the bench legs I was quickly able to prototype a beautiful leg that I was happy with. In doing this the benches and tables as centers strengthened the whole through their connection the emergence of alternating repetition between the benches and table.
18. Creating final cutting lists in sketchup
I digitally modelled the hand drawn bench legs and added them to the model with the table to be able to compile an accurate cutting list.
Despite being a representation of the final design, it is by no means an accurate one of how it would feel. In an ideal situation, I would mock it up exactly as above to see how it feels and to make adjustments based on that. That being said I feel confident enough about the feeling of the table and bench based on the prototyping that I had done to make a start. Now to just get on with it…
closing thoughts
“Our ability as artists depends very largely on our ability to experience, formulate, and carry such a feeling — first to feel it and witness it, then to carry it forward, remember it, keep it alive within us, and insist on it (Christopher Alexander, The Process of Creating Life p.382).”
At every step within this generative process, I couldn’t have anticipated the outcome. This was interesting on a personal emotional level and I noticed that as long as I was able to be fully present with the process, I was able to be within the process of unfolding life. In moments of lapsed presence, the default mode becomes one of projecting conditioned unconscious ideas, thoughts, and ways of relating to life, which is sadly rooted in separation from all of life and not connection. In the present moment, we are connected to the flow of life and it is only from this place that we can sense the emerging future through finding and entering the grain of the unfolding world and following its course to a living future. Modern life and ways of experiencing the world follow a course outside of this grain and the opposing resistance continues to create further separation between human-nature.
Working to create life in generative design processes is similar with natural living processes in the sense that they are often in direct conflict with the values of modern life and economic world views. The world experiences this daily with increased pollution, loss of diversity, and daily species extinction, all as a consequence of human thinking and systems whilst all the while economic markets reach their all-time highs. Going forward I am excited to explore the resolutions between generative processes and the modern economic system so that the positive benefits from this work can be appreciated and scaled for the benefit and enjoyment of all of life.
In using the faculties of deep feeling, sensing, and intuiting within the design process, I found that I was able to connect deeper to the present moment and to the phenomena in my experience. This direct engagement with full-scale mockups within the manifest world enabled these other ways of knowing the world to become activated, and for thinking to fall backward and become secondary. Engaging with the present moment in these ways brought deep peace and joy, which feels as though it was due to being connected with a life-generating process. It is almost as if beauty emerges through attention and presence which is greatly aided by making. I look forward to exploring these feelings further in future projects.
arches, vaults and domes
I spent a week in Dec 2019 at the Earth Institute in Auroville participating in the intensive arches, vaults and domes course. It was a dream of mine to do and one of the first things that took me to India in 2017. I was glad to finally do it! The Earth Institute have been pioneers in building these masonry structures using stabilised compressed earth blocks. I particularly enjoyed the theory and calculating loads intuitively through drawing (graphical analysis) as opposed to using formulas and playing around with the mini blocks was a lot of fun too.
The creative potential behind these stabilised earth bricks is monumental, as is the economic and environmental factors when comparing to contemporary construction methods. Far less cement is used when compared to brick and mortar construction and post and beam structures. I see huge potential in localised manufacture and distribution of blocks as a means in creating quality low-cost, ecologically-minded architecture, whilst building local economies and creating decentralised jobs. The use of cement in these blocks is still, from an ecological perspective, questionable, but in times of transition this technology has potential to, in my eyes, do more good than harm at a speed that can alleviate suffering around the world.
talking with the dead and walking in their shadows – a dreamlike walk with Fukuwoka
Below is a fictional story about a walk with Masanobou Fukuwoka written as a play. Embedded within the conversations are my concerns, doubts and insecurities of life and the cautious movement and reflection towards the ecological paradigm.
CAST
Masanobu Fukuoka
Japanese: 福岡 正信 (2 February 1913 – 16 August 2008) was a Japanese farmer and philosopher celebrated for his natural farming and re-vegetation of desertified lands. He was a proponent of no-till, no-herbicide grain cultivation farming methods traditional to many indigenous cultures, from which he created a particular method of farming, commonly referred to as “natural farming” or “do-nothing farming”.
Fukuoka was the author of several Japanese books, scientific papers and other publications, and was featured in television documentaries and interviews from the 1970s onwards. His influences went beyond farming to inspire individuals within the natural food and lifestyle movements. He was an outspoken advocate of the value of observing nature’s principles.
Julian
A character loosely based on the author.
With a simultaneous sense of existential urgency and confusion, Julian walking with pace, swivels, turning and hops adjacently off the cracked concrete path and sets down the historic beaten track. The junction of old ways and new is forgotten, all but partially concealed by dense bracken.
As Julian leads down the winding smooth stone path; it narrows, twists and turns whilst the forest grows slowly in height. The morning light shines through the broadleaf canopy casting long shadows, stretching the oaks, chestnuts and birch westward.
Julian sensing relief from the bustle of town life slows, almost forcibly due to the abundance of beauty. He softens and opens to nature. Whilst passing a hulking oak trunk he gently feels the micro terraces of the bark on its trunk, observing the sensations under his fingers.
JULIAN
(gently thinking out loud to himself under his breath whilst directing his vision onto a rotten acorn)
Why is there such vast contrast everywhere in this world?… Where does it come from?.. Does it have to be this way?… Has it always been this way?… Why is there so much pain and inequality in this world?
… surely not….
It can’t be possible that the destructive footprint of humanity is just nature in motion?… Are we really separate from her? Or is that a choice? How do we really know?
Sensing almost a flicker of lightness in the air, Julian is mysteriously pulled down the path. After a few moments and unknowingly why, he follows slowly yet with no caution and surprisingly with each step feels calmer and more relaxed.
Before even realising for himself, he is walking off the track, connecting and feeling the soft ground underfoot. Warmed by the sun, the cool spring forest air lifts from the ground, passing his exposed arms sending tingles down his spine.
Almost magnetically he is pulled towards what seems like an edge within the forest; where the ground starts to drop away steeply, yet its walkable with care. As he approaches the edge, looking downwards, he is met with a purple haze of bluebells; some glowing in patches where the sun reaches them between the trees. A feeling of warmth rushes through his body as he is stunned by the view.
JULIAN
—
Without realising, Julian finds himself emerging from a place untethered to temporal time and space. He slowly opens his eyes, realising he had closed them. Mysteriously he’s looking at the same view as when he had his eyes closed, seeing not with his eyes, but his heart; feeling the same warmth and expansion between the internal and external landscapes, seeing beauty in everything in its entirety as if for the first time.
JULIAN
(with a soft mumble outward, as if a thought escapes through his breath)
What really is nature?
Unbeknowingly, a light, airy being had been standing just a stone’s throw away from him, perched against a fallen chestnut tree that is still living. New shoots are growing skyward along the topside of the horizontal trunk that would all in time turn into new trunks. The being was a small man in his 90’s filled with quiet confidence. He stood tall within himself, barefoot, wearing a loose white kimono and trousers. His wispy presence had no distinct boundary between his body, spirit and landscape.
FUKUOKA
(speaking very casually)
Did you not just find her?
JULIAN
(calmly yet with disbelief at what he’s looking at)
Fukuoka… it’s really you? I feel I did…
(looking downward with confusion, trying to grasp hold of a fleeting experience)
But all the clarity is turning into confusion. (Rhetoric) Why am I always pulled between the extremes? The moment I feel I grasp life’s essence, I start to analyse it and it dissolves. What really is nature?
FUKUOKA
I cannot tell you what nature is as you already have formulated your own intellectual idea. I could only show you how to connect and feel it.
JULIAN
(with a slow respectful bow, savouring the moment)
Thank you. I definitely did but when I try to express it, I find I can’t. Those feelings and sensations I experienced transcend dualistic thought. Where am I going wrong? Why do I see this way?
FUKUOKA
I could never possibly say for sure, but what I can say is that the world is completely interconnected, flowing, unfolding all in the present moment. The experience you talk about has no intrinsic values… It simply just is. People in their minds try to organise what they perceive, and by doing so they create division…
(Fukuoka turns to his left and points to the entirety of what his vision can see and points to the things that he talks about)
First things are given names… tree’s, minerals, sky, ground etc. Then things are broken down even further… Branches, leaves, cells… Then concepts are given to things… up, down, contraction, expansion etc. And then there are values like strong, weak, good, bad, beautiful…
JULIAN
Ahhhh, I seeee. It’s in this division that we separate ourselves from Nature. But don’t we need the all this information about the things we see to make sense of it all?
FUKUOKA
Words are useful in the world of discrimination because they describe a reality that has already been agreed upon. They are not however adequate for describing a world as seen without discrimination.
JULIAN
I feel like i’m starting to get it. We create a false separation between ourselves, a part of nature, and all the connections to ‘nature’ as a whole. As in a counterfeit whole. Nature’s guiding principle in creation is not based on the intellect or thought, but cognition as a whole. Cognition is life’s way of manifesting the unmanifested.
FUKUOKA
Yes in a way. The separation is only due to defining concepts, like the crest and trough of a wave seen in isolation are only parts of the wave, but they still are made of the same wave.
(a few moments pass, and then Fukuoka suggests, gesturing with his hands towards a small dirt path that leads down through the bluebells)
Life is constantly in motion, why not explore a little.
Julian and Fukuoka slowly and carefully make their way down the slope into the blue bells, stopping from time to time to smell and touch the delicate flowers. The path eventually widens and the two go on meandering side by side.
JULIAN
Why is it we think this way? Is it possible to say that the root of all problems stems from this, how can people not have empathy for each other and the world? Could our tools of communication hinder our understanding and further the separation?
FUKUOKA
Modern society has no fixed standard of perceiving experience, we gave that up when we decided to separate ourselves from nature and chose to live in the relative world of our own ideas… Life, death, spirit and soul do not escape the realm of relative thought, they are still concepts of the human mind. As soon as someone thinks of themself as permanent they remove themself from the world of constant change. Human language has become diluted from its true essence over time as the use of language has emerged from the ideas and concepts of the system that it serves. Human standards are conditioned through home, education or perceived self interest like nationalism, existentialism, hedonism, science, libertarianism, or religious doctrine. When there are too many conflicting viewpoints and no way of evaluating them with certainty, people are left confused and are unlikely to take action. We can never separate ourselves from the biological world but when we no longer feel connected with nature, we come to believe that natural law no longer applies to us. This may be the reason for so much unnecessary suffering in the world caused by selfishness and the freedom people think they have to act in the world any way they like.
What about the pure mind that transcends the mind of ‘I’. The awareness people have before they become aware of themselves. Like the awareness of a child. “An empty mind that mirrors the world, puts the world inside us”. “It is only through nature that we can see this original mind”. (Korn, L, 2015, pages 13, 45).
JULIAN
That makes a lot of sense… but surely there is some good that can come from even the language that we currently use. When language first emerged in much simpler form, it was surely to express, celebrate and resonate to the feelings within, the connection we have to others and the essence of life… A more natural mind, deeper connected and non-dual. Modern language resonates confusion but language must still have its place and act as a tool to point towards experiencing through other ways of knowing like sensing, feeling and intuition.
I believe we can’t experience true nature connection through the intellect alone and it is futile to even try, yet we do so and it brings great confusion. I can’t believe we let things get this bad collectively. People have lost connection with Gaia.
FUKUOKA
Even in the structure of language, human beings are taught to set themselves apart from nature. When a child first becomes aware of the moon, that child is simply filled with wonder. Then after a period of time the child is taught to discriminate between a subject “I”, and an object, “the moon”. The child comes to know the thing called the moon as “other”. These are the signs of the intimate and harmonious relationship that once existed between people and nature, which we can still see in children’s instinctive wonderment. This lays fact that we can still reconnect and that the bond is still there, just hidden by memory and conditioning.
Humans may be the children of mother nature, but they are no longer able to see the true form of their mother… if someone doesn’t know his mother, he does not know whos child he is. He is like a monkey raised in a zoo by humans who is convinced that the zookeeper is his mother”. (Fukuoka, M, 2012)
JULIAN
Ha! Its like humans are raised by the system of perception they are born into. It’s like neoliberalism and consumerism are our surrogate mothers?! And at what cause, the endless desire for more of everything… more things… more knowledge… to take with us where?
I’m pretty sure you are right trying to keep things as simple as possible, Fukuoka Sensei. But what can be done about the problems we all face collectively? They are wickedly complex.
FUKUOKA
Hmmmm… with increased knowledge, there comes an increased desire for more knowledge, and then people want to invent machines to help them achieve even greater knowledge. If proof is found then only more questions will rise from that so-called ‘proof’. Desire for more becomes endless, and we soon forget our place as nature in this life. “I believe there is a limit to knowing nature through our human knowledge… In the end, it will require some courage and perhaps a leap of faith for people to abandon what they think they know”. (Fukuoka, M, 2012). It seems people have given up so much to become possessed by the material things they own. It’s not that material things have no intrinsic value. It simply appears that they have value because people have created the conditions in which they seem to be valuable. Change the conditions and the value is lost.
There is no need to trouble ourselves trying to figure out the purpose or precise meaning of life, instead we should just accept our gift and do so with gratitude. In simpler times there was no need to intellectualise life and all of this. It has become a paradox of our age.
As Fukuoka and Julian slowly make their way along the path, heavily engaged in each others company, they both pause and recognise the route ahead will lead them next to a recently plowed field. The sweet birdsong is drowned out under the plangent sounds of tractors.
I definitely found peace in seeking the simplest solutions for my farm. “I simply emptied my mind and tried to absorb what I could from nature”. (Korn, L, 2015). Trying to adopt ‘natures mind’ I gained insight that was almost the opposite of thinking at the time. “The usual way to go about developing a method is to ask ‘how about trying this?’ or ‘how about trying that?.’ This is modern agriculture and it only results in making the farmer busier. My way was just the opposite. I was aiming at a pleasant, and natural way of farming which results in making the work easier instead of harder. ‘How about not doing this?’, ‘How about not doing that? And that was my way of thinking. I ultimately reached the conclusion that there was no need to plow, no need to apply fertiliser, no need to make compost, no need to use insecticide. When you get right down to it, there are few agricultural practices that are really necessary.” (Fukuoka, M, 1978).
“The more people do and the more society develops, the more problems arise. The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity’s trying to accomplish something”. (Korn, L, 2015).
The pair come to an opening in the trees and look out as brown fields stretch as far as the eyes can see. The forest suddenly stops stark against the ploughed field. An earthy scent lingers, but something smells amiss. The fields are eerie and life in them is scarce. They are alien to this landscape. In the distance tractors regimentally trug across leaving behind a trail of dark smoke. Life and joy on this farm can’t be found.
JULIAN
(with a tone of dismay)
What a sorry sight. It looks like the machine is back at it again.
FUKUOKA
Here is a great example of humans making more work for themselves by maximising efficiency within the parts. I don’t see why humans have to intervene so drastically with their environment. Modern Science has told us we will only understand how the world works if we break reality into pieces, study them and put them back together again. With this logic and perception we believe we can stimulate nature to better serve humanity. In the fight for maximising efficiency hectares upon hectares of the same crop are planted. This can’t be anticipated therefore unexpected conditions emerge. The crops become less resilient and are prone to disease and pests, but luckily the scientific method is on hand to address the symptoms with chemical sprays and fertilisers. Aside from the externalised costs and damages to people, animals and the environment, these second generational problems go onto requiring third generational solutions due to further unexpected outcomes that are increasingly complex and difficult to solve. Soon the food production is causing damage to the health of people the other side of the world due to the demand of cheaper food. Fruits and vegetables at this point are certainly not natures own and more a watery chemical concoction of nitrogen, phosphorus, potash, and pesticide residues. All fueled by the systems demand for more, for less. Nature provides more than enough to satisfy everyone’s need, but not everyone’s greed.
JULIAN
It saddens me how quickly these unsolved problems get out of control, and these generational problems happen all the way across society. Trying to solve each problem seems to just create more leading to complexity spiralling out of control. And in the long run, to whose benefit? No ones. It seems that one of the only things that can be done is to make changes from the bottom up, through education and creating regenerative cultures. Does this seem like it would be too slow though?
FUKUOKA
All fundamental changes will be slow, unfortunately, especially to ensure that we are solving the right problems. This will require us to ask the right questions with correct ethics and to live within the planetary boundaries. Indigenous people lived within biological limits, they took only what they needed and lived harmoniously with the land. This is a far cry from the mindset of the so called developing world, and there is much work to be done to get to that stage. It will take a long time to reconnect people with nature and then to pass that connection on from one generation to the next. There is essentially no way to know the best solution but we can try to get as close as possible to natures method. There will need to be a radical shift in education so that it’s possible to cultivate nature connection. Teaching these things in the current educational system is futile as it is focused on developing the intellectual aspects of a child to participate in a human-centred world. There will need to be a focus on cultivating the other ways of knowing that are more resonant with nature for a new paradigm.
JULIAN
With respect, Fukuoka. You almost seem to have a clear cut black and white vision of what it is required, is there no middle ground, no middle way?
FUKUOKA
To reconnect is to make the world of two, one and to return to the natural mind from which dualism emerged. The natural mind is essentially the center of the dualistic pendulum – greater than the sum of the parts. “To the extent that people separate themselves from nature, they spin out further and further from the center. At the same time, a centripetal effect asserts itself and the desire to return to nature arises. But if people merely become caught up in reacting, moving to the left or to the right, depending on the conditions, the result is only more activity. The non-moving point of origin, which lies outside the realm of relativity, is passed over, unnoticed. I believe that even “returning-to-nature” and anti-pollution activities, no matter how commendable, are not moving toward a genuine solution if they are carried out solely in reaction to the overdevelopment of the present age.” (Fukuoka, M, 1985). Society has come so far and the machine is well oiled, so I agree it may not be realistic or even practical for everyone to awaken to nature at once, but that is the fundamentally what is required. We have come so far with the intellect and it will definitely require some backtracking.
JULIAN
I can see that but practically speaking I sense there will need to be a long transition period so that life remains stable for the majority of people… where we shift from a predominantly intellect based mindset, to a cognition focused on using all ways of knowing.
FUKUOKA
Yes, practically speaking that makes sense but it will be difficult to not create more problems with unknown consequences in the process. I see that the more people awaken and foster this connection with the earth by working with her, the faster things will spread.
The pair walk off and turn back into the woods. Subtly feeling sensations of relaxation pulsing over their bodies as they re-enter the canopy. They follow a path along a contour through dense vegetation. Sycamore and ash emerge from stands of hazel and holly, with bracken interspersed between brambles. Nettles, plantain and wild garlic show up wherever they get a chance to.
JULIAN
I see reconciling the damages we create as the greatest challenge we face collectively as humanity. There is so much conditioning that needs to be released for positive changes to happen, and the momentum has been building slowly for over half a century. I am confident this momentum has the ability to build exponentially until we reach a turning point and there is a rapid shift in consciousness. I see there will need to be a dance between emerging ‘natural-minded’ cultures and ‘human-minded’ cultures and that the ‘human’ world will need to be a catalyst for transforming the systems of the world. Surely society has got to this point due to a lack of decentralised design and creativity. Understandably in reflection I can say this due to the immense privilege I’ve had in my life, but I feel that it is important to design systems, ways of living, opportunities that enable people to shift their mindsets through participating in them. Moving away from the conditioned human mindset of scarcity to a deeply connected mindset of abundance. Designing systems based on the laws of nature, like bioclimatic design, biomimicry and permaculture are surely a step in the right direction?
FUKUOKA
These practices definitely have their place, however they are still imposing nature onto herself. Over time they may iterate and move into closer alignment, yet the design is largely based on the designers perception… projecting their subjective view, meaning and understanding of nature based on the values of modern culture.
The guiding fundamental principle will be whether these design tools will be used to further the efficiency of the current paradigm or as a basis of creating new localised cultures that are focused on living with a deeper connection to nature, a completely different culture.
JULIAN
(holding his head as he narrowly avoids being pulled into the rabbit holes of dualistic thoughts)
That does make sense. What if we design systems that allow for the emergence of self-realisation. There is a massive potential of untapped creative minds on the planet. I believe through enabling as many people as possible to access and flex their creative potential whilst connecting to nature, we will be able to collectively create a huge diversity of ways of expressing the essences of life from which a more ‘natural’ regenerative culture can emerge.
FUKUOKA
There is definitely much to learn from the deeper realms of connection to being with life. By spending more time there we will be able to dissolve more of that experience into our lives which will manifest in our realities.
(Pointing to a sprouting acorn nestled under some loose soil)
Take this plant for example. It simply just is. It’s wholeheartedly expressing the creative guiding principles of life, and is life itself. We have so much to learn from simply just being.
Julian kneels down to the plant and is awestruck by the emergence of life from the seed. Time is suspended as he is absorbed by the experience of being with the plant. The surroundings in his vision blur as his senses sharpen to the details as his heart opens to the awe of what lies before him. Pure clarity emerges from confusion, once again completing the cycle.
The spirit of Fukuoka becomes lighter and the essence of his being expands throughout the landscape, encompassing and merging with all that it touches until the division between spirit and matter become one.
dharmalaya arriving + impressions
As the earth began to warm from the first of the sharp spring sun falling in the foothills of the Himalayas, I travelled to the village of Dhanaari, a 40-minute walk from the nearest town of Bir, 2000m above sea level. As I hiked with my bags up towards the mudhouses on the hillside, I was filled with excitement and angst of what was to come. I paused on a fallen log to catch my breath and begin to settle into the land that would become my home for the next year. As I sat here, ignorant of what experiences lay ahead, I dreamed into who I wanted to be and become.
I had arrived at Dharmalaya, an intentional educational community devoted to compassionate living. I was here as one of the first international architecture interns and I had come to learn to live a life that was in harmony with nature; my inner nature and all that lies beyond. Living in a community I shared my life with many beautiful people from India and further afield. I found learning and working in the community was simultaneously nourishing, challenging and hugely rewarding. Life at Dharmalaya was centred around the wisdom traditions of the region and in day-to-day life, we put into practise the Indian ethical principles of karuna (compassion), ahimsa (non-harming), metta (loving-kindness) and seva (service). And in this manner, I learned and practised living responsibly and sustainably whilst cultivating awareness and reverence for the sacredness of all of life.
Leading a life that was deeply embedded in place and community taught me a different way to live and be in this world. Living (including working) consciously in a more present way, enabled me to connect deeper to the natural cycles, rhythms and patterns of life around and within me, and in doing so life became more vibrant and fulfilling. I began to take myself and the world less seriously which paradoxically made more space for me to care for the things that I feel mattered the most.
The first few months here were filled with new experiences daily as I participated in workshops centred around compassionate and sustainable living, earthen construction and silent meditation. This time was filled with fast and slow learning on many fronts exploring our most innate but largely forgotten human values. Through living the values of kindness, service to others and compassion daily, I soon grasped how these were to be applied in the way we design and build.
I worked on two major building projects during this period, a two-story duplex and a meditation cottage. These buildings were made using the vernacular methods of the region using stone, adobe, timber and bamboo but were designed with the comforts of the modern person in mind. The majority of materials come from the land itself but the addition of a few market materials ensure that the buildings are earthquake-proof. This way of building was revived by renowned Indian architect and one of Dharmalayas influential faculty, Didi Contractor. These techniques have sadly been replaced in the region due to the perceived social ideas that having a concrete house is more advanced and developed than having a mud house, and sadly people in the village are trading their healthy earthen homes for concrete homes. This short thinking is sadly causing harm to the inhabitants as harmful mould thrives on concrete in this climate. Dharmalaya works in keeping this information and wisdom that’s been rooted and evolved with the place and people for thousands of years alive. Building in such a low-impact manner can be seen as doing so in the most compassionate way for the land and people. I see the potential in these methods and philosophies as being a powerful catalyst towards cultural, economic, social and ecologically regenerative practices in this bioregion.
Inhabiting a space that embodied the values of compassion, equality and kindness was the perfect teacher in reflecting the qualities that I wanted to cultivate. I am hugely grateful to all who were involved in making my time here so nourishing and beautiful, you are all family.
experiments with ferrocement
Whilst at Dharmalaya we ran a workshop with Amit Mhatre, a ferrocrete artisan who creates huge curved forms with ferrocrete. He is known for creating 9m diameter spherical water containers and many curved roofs including a roof in the shape of a lotus flower.
During his time at Dharmalaya we worked on a 10,000l water container, a smaller 1000l cylindrical water container and some floating stairs. For each thing we created we started by ‘outlining’ the shape using 9mm reinforcement, covering the sides with weld mesh and then chicken mesh, two layers on the external side and one on the internal. All the materials are secured together using binding wire. Ferrocement is strong due to the amount of surface area that the cement is in contact with the steel, and is strong in the number of points of contact rather than the strength of materials. Ferrocrete has a high strength to weight ratio and can be formed in almost any shape that you can bend the steel to.
Amit has made his own tools to bend the steel reinforcement rods with using sprocket spanners with a 45degree head on one end and flat on the other. The sprocket is ground round so that the reinforcement can fit through. He further developed his tool so that it wasnt necessary to loop the steel through the reinforcement, but to just be able to hook it on. By using a tool in each hand it is possible to bend the steel easily and into almost any imaginary form. Using the 45degree ends it is possible to bend the reinforcement quickly into a perfect 90-degree bend. Amit worked quickly free forming and bending the reinforcement into a near-perfect circle for the cylindrical water tanks. It was mesmerising to watch his experience with these tools speak for itself as he bent the straight steel into a circle with the correct diameter first try.
Ferrocement was used for these tanks due to their strength and the minimal amount of material used. Much less cement and steel are used compared to normal concrete tanks. The cement mix is plastered first from the inside out, let to cure and then plastered from the opposing side. For the waterproofing of the tanks, a traditional mix of lime and jaggery was plastered internally. It was inspiring to learn further ferrocement techniques and I hope to use them in the future.
solar cooker
Cooking with fire is arguably what separates us humans from the majority of animals. Through fire, food is transformed becoming easier to digest, more palatable and leaves us with a glow of satisfaction in our bellies and beings. On the flip side, our direct use of fire has caused unbelievable destruction on the planet, and the energy released through fire in engines has been a tool to rapidly increase this rate of destruction. For millennia fire has been at the centre of the community and a powerful symbol in ritual. To be around fire feels safe, it gives light to the shadows and can be used to scare away the beasts of the night. Though has our fear of the wild, the separation between us and everything other than human lead to having less reverence for this powerful archetypal energy and use it to have power over each other and everything. Is it in this fear that we harness fire to unconsciously justify our destruction of the natural world?
How can we reimagine our relationship with fire? How can we re-enter into a relationship with fire with a reverence that leads us to have a respect for all of life?
I am grateful to have had such an experience whilst working at Dharmalaya in 2017. Before this project, I had never really felt a need to think about fire deeply in these ways. Fire transforms, and in building an oven that uses the suns rays to cook with, I was transformed in the process.
The construction of this solar cooker was a collaboration between interns, local artisans and Didi Contractor who dreamed up the principles of this particular design. This solar cooker is oriented south to maximise the capture of the suns rays through the day. The body of the oven is made from adobe which sits on bamboo beams that span two stone piers that sit on a rubble foundation. The adobe is plastered with an earthen plaster inside and out, with linseed oil mixed into the mix of the final exterior coat. To reduce the chances of stones expanding and cracking in the heat the adobe and plaster was sifted leaving only the clay, silt and very small stones. The oven has two drawers which open on the southern side that is made from repurposed timber. The draws are deep and are insulated with rice husks. The oven is topped with two fixed layers of glass which are separated with timber battens wrapped in pure wool to stop cracking as the glass expands. Inside there is a flat-based suspended steel tray that is sloped up to the top of the four sides. This steel is painted black to increase solar absorption and is shaped in that manner to maximise the amount of insulation in the oven. To insulate we used rice husks. The majority of the materials were of low impact and came directly from the site, with the exception of the glass and steel coming from the market.
The solar cooker works by trapping the suns heat inside the oven and slowly heats and cooks the food at an optimal temperature. It is impossible to burn food unless oil is added. In the height of summer full meals can be prepared in the morning ready for lunch or dinner. This slower way of cooking is very different from what we are normally used to, though I can assure you the food tastes delicious and far less harm is done to the environment. In this area, firewood is a scarcely found locally as it is in high demand, and the government took ownership of the native forest to create pine plantations which had an immediate effect on the villager’s livelihoods and way of life. They are now dependent on gas which has to be bought from the town and carried up. The creation of the solar cooker will decrease the institute’s reliance on fossil fuels through making use of a free and abundant resource, though of course only when the sun is blessing us. This was mind rattling for me that such a low impact and appropriate technology could be used to cook food without any fire and pollution. The experience of making this oven simultaneously expanded my worldview whilst embedding me locally in time and place. Completing it and eating the first meal (chocolate cake) was a very proud moment.
peter hulbert architects
For the best part of a year, I worked for Peter Hulbert Architects in Groombridge. Having always built from a young age, Peter is an architect with a keen eye for construction detailing and craft which shines in his work. Initially, I went there to work in Peter’s office, but I was drawn to working on his private projects at his home. These were mainly converting an old stable block into 3 new rooms, landscaping and gardening.
I really enjoyed working each day due to the mentorship and trust that Peter offered. During this time I accompanied Peter on-site visits as well as worked on one of his sites. Whilst working in this manner I developed an understanding of construction that had only been theory before, and in learning by doing, I learned fast and accurately. A lot can be said for working from a perspective on the construction site that many architects never do, and the insights gained did not only relate to designing and making but also to understanding the culture and dynamics of working on-site, and developing understanding and empathy for all in the process.
Some of the construction skills that I developed whilst working with Peter include bricklaying, paving, carpentry (making a mezzanine), some joinery, pouring concrete slabs including underfloor heating, groundworks and roofing. Progress was made slowly due to few hands but was carried out with care and joy. I am very grateful for the time spent working with the Hulbert’s and all the interesting conversations and insights into the world of architecture and construction that were gained. Here are some pictures from the duration.
ramming chalk
I recently volunteered to help support the rammed earth-course with Low Carbon Trust at the Earthship in Brighton. The course was facilitated by Rowland Keable from Earth Building UK and Ireland.
The course was in two parts, theory classroom style with discussion and hands-on; making walls and arches by ramming earth which in this case was actually locally-sourced chalk. The course was fun and informative and everyone left with at least the fundamentals in theory and practise and a hefty dose of inspiration.
playing with straw
Over the bank holiday weekend, I volunteered with the Low Carbon Trust and Brighton Permaculture Trust helping with a straw bale building course. The weekend was made great by it being such an interesting and engaged group. Foundations, best practices and building regulations were covered in the classroom, and outside we built the structure of a small load-bearing (Nebraska style) strawbale room.
I love straw. It’s quick to grow, cheap and is a renewable material that’s in abundance. Its breathable, highly insulating and composts at the end of its life cycle. Its an incredibly versatile material, and can be load bearing, infill for timber structures or even pre-fabricated.
The photos below tell some of the stories of the weekend.